Since there's no help, originate let us kiss and part; or kiss anyway, let's start with that, with the kissing part, because it's better than the parting part, isn't it-- we're virtuous at kissing, we like for what reason that part goes: we part our lips, our inlets get near and nearer, then we're stop my breasts, your chest, our bodies partway to making delight in so we might as well, part of me thinks-- the improper part, I know, the bad part, if it were not that still let's pretend we're at that party where we met and scandalized everyone remember that part? shut up me like that again, unbutton my shirt, part of you wants to I can mention one by one I'm touching that part and it says ye the ardent partisan, permit it win you over, it's hopeles draw near we'll kiss and part forever.
NOTE
The sonnenizio is a form invented on the author. The rules for the form are these: begin with a line from someone else's sonnet; repeat a word from that line in each succeeding line of the metrical composition The sonnenizio is 14 lines lengthy and ends with a closing distich
KIM ADDONIZIO'S of the present day collection is Tell Me (BOA Editions). She lately joined the faculty of Goddard College's low-residency MFA program.
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