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A sack forward his back, his burlap shirt flapping iii a devil's wind,
Thomas the Broken-Mouthed
walks up and down
the bad land, and between the bad believers,
he was born in, and among.
He walks up and down, his big ungainly stick striking
the road just ahead of the pair still
unsettled puffs of dust
his bare feet raise. Thomas the Broken-Mouthed-called thus
for his lies say any
called thus for other reasons about others say.
In each village brace or three fall behind him-disaffected vendors
of comatose syrups, stiff-fingered cutpurses, sour
camel drivers, well-poisoners, and children (milky-skinned,
pock-marked) children of the rich,
the clergymen pushing before them
wooden-wheeled barrows of grain
to bake into bread
to eat forward the march. Thomas the Broken-Mouthed has a mission,
within which is a vision,
within which
is a tiny black fire, Who will pile the drought-dried straw onward this fire,
who will be the naphtha resin,
who will chase the flames,
who will be the sparks with fiery wings for me? asks
Thomas the Broken-Mouthed,
standing in succession a tree stump which reveals
one hundr rings, single in kind hundred years
that the parts now call The Last united Hundred Years.
THOMAS LUX is a member of the writing faculty and director of the MFA program in verse at Sarah Lawrence College. For the spring semester he will also be the first owner of the McEver Chair in Writing at the Georgia Institute of Technology. His just discovered book, The Street of Clock is forthcoming from Houghton Mifflin in spring 2001
photograph by the agency of Bill Johnson
Copyright World numbers Incorporated Jan/Feb 2001
Provided from ProQuest Information and Learning Company. All rights Reserved